Joanna Porackova

a mythic soprano with heroic declamation, suave cantilena, delicate
fioritura and a huge vocal and emotional range


 

After her recent performance as Magda in THE CONSUL the  Boston Herald (10/22/05) said “ ‘I cannot imagine that this performance  could ever be surpassed. JOANNA PORACKOVA rose gloriously to the occasion of her climactic aria ‘To this we’ve come’. In short, she was a miracle.”

 “In the central role of Magda Sorel, JOANNA PORACKOVA, singing with soaring majesty, tensile passion and earth-mother conviction, moved about like a caged tigress, all pent up and in the throes of ‘paper chains. “
Opera News (11/05)

"JOANNA PORACKOVA gave a gripping portrayal of Magda, with her dramatically powerful voice and acting."
Opera Now, UK, Jan/Feb 2006  issue)

 Ms. Porackova sang her first ‘Isolde’ in TRISTAN UND ISOLDE at the Grand Theatre in Tours, France during the spring of 2004.  After a triumphant success as TURANDOT in Klagenfurt, Austria, fall 2003: “her dramatic soprano and her stage presence covered the role (TURANDOT) entirely…. Bravo, bravo for this astounding singer ."
Die Woche Kultur 

“As Senta, Joanna Porackova….transmitted the character’s obsessive passion with warmth” said The New York Times in Katharina Wagner’s 2002 production of DER FLIEGENDE HOLLAENDER.

The New York Times  also praised her for ‘singing with great fervor and skill’ in her 2001 debut with the Washington Opera, Kennedy Center, as Magda Sorel  in THE CONSUL under the direction of Gian Carlo Menotti.  After her performance of the title role in Rolf Lieberman’s world premiere of MEDEA, at the Stadttheater Bern, Switzerland, in June 2001, The Neue Zuercher Zeitung complemented her for “mastering the enormous technical and musical work with wonderful modulations in the voice and a bravura intense dramatic performance”.

The Boston Globe described her NORMA, with the Boston Bel Canto Opera, as a ‘mythic soprano with heroic declamation, suave cantilena, delicate fioritura and a huge vocal and emotional range, a poet’s feeling for nuance and the staying power of a triathlete … sending the audience into frenzies with her melting cadenzas, impassioned recitatives and floating high notes”.

Opera News said her NORMA demonstrated ‘fine bel canto style, passion, color and phrasing”.  The American Record Guide January 1999 complimented ‘the absolutely phenomenal dramatic soprano’ Joanna Porackova for her performance as Anaide to Jerome Hines’ Mose in Rossini’s MOSE IN EGITTO at Alice Tully Hall in New York’s Lincoln Center.  She also won critical acclaim from the New York Times for the same role as “the most stageworthy in the cast and her soprano blossomed throught the evening”

Ms. Porackova has been engaged in principal roles with the Washington Opera, Paris Opera, Hongkong Opera, Mainfranken Theater Wuerzburg, Stadttheater Bern, Switzerland, Boston Lyric, Baltimore, Connecticut, Greater Miami, Seattle, Anchorage, Boston Bel Canto Operas, Boston Academy of Music and the Concert Opera of Boston.   She has performed the title roles of NORMA, AIDA, MEDEA, TOSCA, LA WALLY, RUSALKA, FIDELIO,  as well as Amelia in UN BALLO IN MASCHERA, Lady MacBeth in MACBETH, Leonora in IL TROVATORE,  Santuzza in CAVALLERIA RUSTICANA, Giorgetta in IL TABARRO, Magda Sorel in THE CONSUL and Senta in DER FLIEGENDE HOLLAENDER.  She made her European debut in the title role of SALOME and Abigaille in NABUCCO in Germany.  Ms. Porackova’s concert repertoire includes the Mahler 2ND SYMPHONY, Verdi’s REQUIEM, Wagner’s WESENDONK LIEDER , Beethoven’s  AH..PERFIDO.. Strauss’ VIER LETZTE LIEDER,  and Wagner’s  LIEBESTOD.  She has performed with the Civic Symphony Orchestra of Boston, the Ars Musica Chorale (NY)  Symphony Pro Musica, Plymouth Philharmonic and the North Shore Philharmonic.  She sang a recital in the Diaspora Museum, Tel Aviv, Israel, where she was the first place winner in the Jerusalem Vocal Institute Competition.  She was also presented by the Wagner Society of New York in a debut recital in CAMI Hall, NY..  Ms. Porackova has worked under the direction of Gian Carlo Menotti, James Conlon, David Stern and Daniel Klajner.

A winner of numerous awards and competitions, Ms. Porackova was recently a finalist in the Richard Tucker Foundation Competition, a fellowship award winner with the Opera Theater International (OMTI) and a grant competition winner from the Wagner Society of New York.  She is also prominently listed in the AMERICAN WAGNER SINGERS GOLD BOOK. 

Ms. Porackova has recently released a CD with pianist Dag Achatz on Americus Records in their Russian Masters Series.

 

UPCOMING:  Gerhilde in DIE WALKUERE, Aix-en-Provence Festival,  Berliner Philharmoniker, conductor Simon Rattle, Summer 2007;

Gerhilde in DIE WALKUERE, Salzburg Festival, Berliner Philharmoniker, conductor Simon Rattle,  Summer 2008


Operatic Repertoire

COMPOSER

OPERA

ROLE

Beethoven

Fidelio

Leonore

Bellini

Norma

Norma

Berg

Wozzeck

Marie*

Catalani

La Wally

Wally

Dvorak

Rusalka

Rusalka

Janacek

Jenufa

Kostelnicka

Katja Kabanova Katya

Liebermann

Medea

Medea

Mascagni

Cavalleria Rusticana

Santuzza

Menotti

The Consul

Magda

Mozart

Don Giovanni

Donna Anna

Idomeno

Elettra

Puccini

La Fanciulla del West

Minnie*

Tosca

Tosca

Il Tabarro

Giorgetta

Turandot

Turandot

Rossini

Mose in Egitto

Analde

Strauss

Elektra

Elektra

Salome Salome

Ariadne auf Naxos

Ariadne

Der Rosenkavalier

Marschallin*

Verdi

Aida

Aida

Un Ballo in Maschera

Amelia

La Forza del Destino

Leonora

Macbeth

Lady Macbeth

Nabucco

Abigaille

Il Trovatore

Leonora

Wagner

Der fliegende Holländer

Senta

Lohengrin

Elsa

Tannhäuser

Elisabeth/Venus

Die Walküre

Sieglinde

Brünnhilde*

Tristan und Isolde

Isolde

Siegfried

Brünnhilde*


* roles in preparation

Recent performances:  

Magda in "The Consul", Boston Opera, 2005

Isolde in ‘Tristan und Isolde”, Grand Theatre, Tours, France, 2004

Norma (title), Florham Opera, New Jersey, 2004

Turandot (title), Theater Klagenfurt, Austria, 2003

Senta, “Der Fliegende Hollaender”  production Katharina Wagner                                           
Theater Wuerzburg, Germany, 2003

Abigaille “Nabucco”, Concert Opera of Boston, 2002

Medea, (title) Rolf Liebermann’s “Medea” World premiere,
Bern, Switzerland, ‘La Bastille Opera, Paris (cover) 2002

UPCOMING:

Gerhilde in DIE WALKUERE, Aix-en-Provence Festival,  Berliner Philharmoniker, conductor Simon Rattle, Summer 2007;

Gerhilde in DIE WALKUERE, Salzburg Festival, Berliner Philharmoniker, conductor Simon Rattle,  Summer 2008

 

RECORDING: 
‘How Fair This Place’  Songs by Medtner, Prokofiev,
Scriabin,  with Doug Achatz, Piano
Americus Records:  ‘Russian Master Series’